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Two museums in one, this imposing building houses both the Museum of Chinese History and the Museum of the Revolution. Of the two, the former is by far the more interesting, with an unsurpassed collection of great works of Chinese art; the halls here are also used for temporary exhibitions. The rather dull Museum of the Revolution contains models, documents, and photographs connected with the history of the Chinese Communist Party – for political enthusiasts only.
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The Forbidden City is Beijing’s top “must-see” sight. A seemingly endless collection of pavilions, gates, courts, and gardens, the complex encompasses five centuries of colorful, occasionally lurid, imperial history. Trying to see everything in one go will bring on a severe case of Ming fatigue and it is recommended that you tackle the palace over at least two visits (see Forbidden City).
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This the Chinese parliament building, home of the nation’s legislative body, the National People’s Congress. Regular tours visit the banquet room where US President Nixon dined in 1972 and the 10,000-seat auditorium with its ceiling inset with a massive red star. The building is closed to the public when the Congress is in session.
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Much of the Imperial City of Beijing was destroyed under the Communists. A model in the museum illustrates the extent of what has been lost, including the wall that once encircled the city, the gates, and a great many temples. There are also exhibits on the hutongs, plus collections of armor, weapons, and ceramics.
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Jing Shan (Prospect Hill) lies immediately north of the Forbidden City. The hill was created from the earth that was excavated while building the moat around the palace complex during the reign of the Ming Yongle emperor. The hill’s purpose was to protect the emperor and his court from malign northern influences, which brought death and destruction according to classical feng shui. The park is dotted with pavilions and halls, but the highlight is the superb view south from the hill-top Wancheng Pavilion.
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The largest art gallery in China was one of ten key buildings erected in 1959 to celebrate the tenth anniversary of the founding of the People’s Republic. It has no permanent collection, rather its 14 halls, which are spread over three floors, are employed to host a constant rotation of temporary exhibitions of Chinese and international art.
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Completed in 2006, Beijing’s new opera house is already a major city landmark. Designed by French architect Paul Andreu, it is built of glass and titanium and takes the form of a giant parabolic dome – earning it the nickname the “Giant Egg.” The high-tech lighting that illuminates the exterior is reflected in a moat, while the entrance is through an underwater tunnel.
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Although now thoroughly synonymous with Beijing, until relatively recently there was no Tian’an Men Square. For centuries this was just a main thoroughfare leading to the Gate of Heavenly Peace (Tian’an Men) and the approach to the Forbidden City. The area was cleared in the first half of the 20th century, then quadrupled in size in 1959, supposedly allowing for up to one million people to gather. Many of the buildings flanking the square were erected at this time (see Tian’an Men Square).
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Beijing’s main shopping street is filled with department stores and giant malls (see Shops, Malls, and Markets), as well as stores selling silk, tea, and shoes. However, the highlight is the Night Market with its range of open-air food stalls (see Wangfujing Night Market). A little to the north is St. Joseph’s, one of the city’s most important churches, recently restored at a cost of US$2 million (see St. Joseph’s Church).
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Northwest of the Tian’an Men, Zong Shan (also known as Sun Yat Sen Park) offers respite from the crowds thronging the nearby sights. The park was once part of the grounds of a temple and the square Altar of Earth and Harvests remains. In the eastern section is the Forbidden City Concert Hall, Beijing’s premier venue for classical music.
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