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The towering spire of the Church of Our Lady is another key landmark of Bruges’ skyline. It’s a strange architectural mishmash: the exterior is a good example of the rather austere style known as Scheldt Gothic, and was built over two centuries from 1220 onward. The interior is essentially Gothic, with Baroque flourishes to its statues and extravagant pulpit (1743). This is a rather surprising setting for one of the great treasures of northern Europe: Michelangelo’s Madonna and Child (1504–5) – a work that came here by virtue of Bruges’ close links to Renaissance Italy. The church’s museum includes the beautiful gilt-brass tombs, rich in contemporary detail, of Charles the Bold (1433–77), Duke of Burgundy, and his daughter Mary (1457–82).
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