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The god Dionysus features largely in the mosaics in this villa, unearthed in 1983 and dating from the 4th century AD. Other scenes show the god Apollo, the legendary royal beauty Cassiopeia, and the god Aion, after whom the building is named.

This villa’s mosaics are based on a heroic theme: a club-wielding Theseus prepares to take on the Minotaur, watched by Ariadne, while Achilles, champion of the siege of Troy, is shown as an infant.

Another of the villas is still undergoing excavation. A scene of the tragic musician Orpheus pacifying a menagerie of savage beasts is the highlight of the mosaics.

Named after its mosaics of Dionysus, the god of wine, this is the largest of the four opulent villas found at Kato Pafos.

The partly restored Roman theatre, with its 11 tiers of seats, stands on a hillside overlooking the rest of the site. Built in the early 2nd century AD, it was levelled by an earthquake three centuries later.

The Asklipion was sacred to Asklipios, god of medicine. Its priests were renowned for their healing skills, and it was a hospital as well as a temple of worship.

Long ramparts and a moat protected Kato Pafos during its heyday as one of the wealthiest cities in Cyprus under the Romans.

The marketplace was the hub of the ancient city’s social, political and commercial life and was originally surrounded by a grand colonnade of granite columns.

This stronghold was erected by the 13th-century Lusignan kings on the remnants of a Byzantine castle. Its massive, battered walls and honeycomb of vaults and dungeons are surrounded by a dry moat.

Overlooking Kato Pafos from the south slope of Fabrica Hill, this semi-circular theatre has seven rows of stone benches, cut into the rock of the hillside.