DK Travel : Los Angeles : History & Culture

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California African American Museum

This recently renovated museum celebrates the art, history, and culture of African Americans, especially in relation to California and the western US. The main exhibit traces the journey from Africa to slavery in the American South to final freedom on the West Coast. It includes memorabilia donated by singer Ella Fitzgerald and former LA mayor Tom Bradley. Temporary shows highlight particular artists, including emerging ones.
California Institute of Technology (CalTech)

One of the world’s leading scientific research centers and a pioneer in earthquake science and molecular biology, CalTech counts 29 Nobel Prize winners among its alumni and faculty, including biologist and current president, David Baltimore. The institute evolved from an arts and crafts school founded in 1891 by the famous Amos G. Throop, changing its focus to science after astronomer George E. Hale became a board member in 1907.
California Science Center

Filled with clever and engaging interactive exhibits, this highly entertaining science and technology museum has three themed galleries. The World of Life exhibit explains the processes living organisms undergo, Creative World focuses on the ability of humans to adapt to their environment through technology, and the Air and Space Gallery explores the great beyond. But it’s a 50-ft (15-m) long animatronic doll stripped down to her organs that steals the show and attracts crowds.
Cathedral of Our Lady of the Angels

LA’s strikingly modern Roman Catholic cathedral looms above the Hollywood Freeway that has been likened to a “river of transportation.” Opened in 2002, the adobe-colored structure is entered through giant bronze doors cast by LA sculptor Robert Graham and guarded by a statue of Our Lady of the Angels. The soaring hall of worship, which seats 3,000 people, is bathed in soft light streaming in through alabaster windows. It is the first Catholic cathedral to be constructed in the western US in over a quarter century.
Champagne Sunday Brunch

Pick your favorites from 11 culinary stations serving everything from roast beef to salads while a harpist serenades you. It’s all set up in the glorious Grand Salon, the original First Class dining room. Reservations are recommended.
Chinatown

The Chinese first settled in LA after the Gold Rush, but were forced by the construction of Union Station to relocate a few blocks north to an area that is today known as “New Chinatown.” The cultural hub of over 200,000 Chinese Americans, this exotic district has stores hawking dried and pickled ginger and lucky bamboo, the offices of herbalists and acupuncturists, and restaurants that serve hot dim sum. In February, the Chinese New Year is celebrated with colorful parades and dragon dances.
Cinerama Dome

A Hollywood landmark and site of many a movie premiere, this white dome of interlocked triangles is LA’s most unusual movie theater. The world’s only concrete geodesic dome was built by Welton Beckett in 1963 to show Cinerama movies, a revolutionary wide-screen technique requiring three 35 mm projectors. Today, it is part of a brand new complex that also includes the ArcLight movie theaters (see ArcLight Cinemas & Cinerama Dome).
City Hall

LA’s tallest building for over four decades, the central tower of this 1928 shiny white downtown presence was three times higher than the then height limit. A recent renovation has made it possible for the public to admire its marble-columned rotunda once again. City Hall has been immortalized on celluloid countless times, most famously as the headquarters of the Daily Planet in the Superman TV series. It was also attacked by Martians in The War of the Worlds (1954).
Colorado Street Bridge

The graceful arches of this recently restored 1913 bridge straddle the Arroyo Seco (Spanish for “dry brook”), a natural ravine that comes down from the San Gabriel Mountains. The imposing 1903 Vista del Arroyo Hotel overlooking the bridge is presently home to the Ninth Circuit Court of Appeals.
Corporate Head

This evocative sculpture (1990) by Terry Allen and Philip Levine condemns the greed and erosion of moral responsibility in today’s corporate America.