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Madrid : History & Culture

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  • Cervantes

    Miguel de Cervantes Saavedra ( September 29?, 1547 – April 23, 1616) was a Spanish novelist, poet, and playwright. Cervantes is one of the most important and influential people in literature and his magnum opus, Don Quixote, is considered a founding classic of Western literature and regularly figures among the best novels ever written. His work is considered among the most important in all of literature. He has been dubbed el Príncipe de los Ingenios (the Prince of Wits). Cervantes' novel Don Quixote has had a tremendous influence on the development of prose fiction; it has been translated into all major languages and has appeared in 700 editions. The first translation was in English, made by Thomas Shelton in 1608, but not published until 1612. Shakespeare had evidently read Don Quixote, but it is most unlikely that Cervantes had ever heard of Shakespeare. Carlos Fuentes raised the possibility that Cervantes and Shakespeare were the same person (see Shakespearean authorship question). Francis Carr has suggested that Francis Bacon wrote Shakespeare's plays and Don Quixote.

  • The Nuns belong to a closed order. They sell home-made biscuits, a tradition that dates back to the 16th century.The biscuits are sold through a serving hatch, whereby you can hear the nuns speak but not see them.This place is situated at or near Plaza Conde de Miranda 3, then go into Calle del Codo and the door is on the right, difficult to find . Te. 91 548 3901

  • Juan Bautista de Toledo (died May 19, 1567) was a well-known Spanish sculptor and architect from Madrid.

    He was born in Madrid at an unknown date, and nothing is known of his childhood. But in 1547, Toledo went to Rome and studied under Michelangelo Buonarroti. Then he went to Naples, where he had been summoned by the Viceroy, Don Pietro de Toledo, to work as an architect for Holy Roman Emperor Charles V. He designed many buildings there, including: the Strada di Toledo (since 1870 called Strada di Roma), the church of St. Giacomo degli Spagnuoli; the square bastions to the Castello Nuovo; a large palazzo at Posillipo, and a number of fountains.

    In 1559, he was summoned back to Madrid by Philip II and appointed Architect-in-Chief of the royal works in Spain. His yearly salary as architect to the Crown was at first no more than 220 ducats, because Philip's policy, with his Spanish artists at least, was to give them moderate allowances until he had tested their abilities. In Madrid, he designed the Casa de la Misericordia and the façade of the church de las Descalzas Reales, Casa de Campo. He also created works at Aceca; at the palace of Aranjuez; at Martininos de las Posadas, the palace of Cardinal Espinosa, and a villa at Esteban de Ambran for the secretary D. de Vargas. Toledo's master work was the Escorial, the Monastery, La Granjila de La Fresneda de El Escorial and Canal de El Escorial (the channel to supply water to the Monastery). He supervised El Escorial (Monastery and Site -the surroundings of Monastery) until his death in 1567. El Escorial was finished by Juan de Herrera.

    Also reported to have designed the Palacio del Buen Retiro and, in collaboration with Gaspar de Vega, the main design of La Granjilla de La Fresneda de El Escorial, Madrid.

  • Lope de Vega

    Lope de Vega (also Félix Lope de Vega y Carpio or Lope Félix de Vega Carpio) (25 November 1562 – 27 August 1635) was a Spanish Baroque playwright and poet. His reputation in the world of Spanish letters is second only to that of Cervantes, while the sheer volume of his literary output is unequalled: he is estimated to have written between 1,500 and 2,500 fully-fledged plays – of which some 425 have survived until the modern day – together with a plethora of shorter dramatic and poetic works.

  • Absolutely breathtaking. Wasn't really expecting it to be quite so huge! Despite the numbers of people wandering around, it was really nice to be able to have a relaxing drink or two and some tapas at any number of bars and cafes dotted around the square.

  • Spanish Golden Age

    The Spanish Golden Age (in Spanish, Siglo de Oro) was a period of flourishing in arts and literature in Spain, coinciding with the political decline and fall of the Habsburgs (Philip III, Philip IV and Charles II). This term does not generally imply any great precision about dates, but it begins no earlier than 1492, with the completion of the reconquista and the voyages of Christopher Columbus to the New World, and politically ends no later than the Treaty of the Pyrenees between France and Habsburg Spain in 1659. The last great writer of the period, Pedro Calderon de la Barca, died in 1681 and his death is usually considered as the end of the Spanish Golden "Century" in the arts and literature.

    The Habsburgs, both in Spain and Austria, were great patrons of art in their countries. El Escorial, the great royal monastery built by King Philip II of Spain, invited the attention of some of Europe's greatest architects and painters. Diego Velázquez, regarded as one of the most influential painters of European history and a greatly respected artist in his own time, cultivated a relationship with King Philip IV and his chief minister, the Count-Duke of Olivares, leaving us several portraits that demonstrate his style and skill. El Greco, another respected artist from the period, infused Spanish art with the styles of the Italian renaissance and helped create a uniquely Spanish style of painting. Some of Spain's greatest music is regarded as having been written in the period. Such composers as Tomás Luis de Victoria, Luis de Milán and Alonso Lobo helped to shape Renaissance music and the styles of counterpoint and polychoral music, and their influence lasted far into the Baroque period which resulted in a revolution of music. Spanish literature blossomed as well, most famously demonstrated in the work of Miguel de Cervantes, the author of Don Quixote de la Mancha. Spain's most prolific playwright, Lope de Vega, wrote possibly as many as one thousand plays during his lifetime, of which over four hundred survive to the present day.

  • The Shaping of Madrid

    Late 9th century Muhammad I founds a Moorish village outpost called Magerit, 'the place of many springs'.

    1083 Alfonso VI, King of Castile and Léon, captures Madrid, and gives the locals their nickname of gatos (cats) because of the numerous cats in the town.

    1172 Death of Isidro Merlo y Quintana, aged 90. Later San Isidro Labrador, the labourer, is made patron saint of Madrid. His feast day is 15 May.

    1309 Preparing to attack Granada, Fernando IV summons the parliament, the Cortes of Castile, to meet in Madrid for the first time.

    1465 King Enrique IV awards Madrid the title of muy noble y muy leal (most noble and loyal). The city has some 20,000 inhabitants.

    1477 Having united the kingdoms of Aragón and Castile by their marriage, Fernando and Isabel visit Madrid.

    1544 Carlos I calls Madrid imperial y coronada (imperial and crowned).

    1556 The first printing press is set up in Madrid.

    1561 Felipe II moves his court to Madrid, the geograph ical centre of the country and now the capital of a vast empire.

    1600 Felipe III is the first Spanish king born in Madrid.

    1605 The first edition of Cervantes' classic story, El Quijote (Don Quixote), is published.

    1613 The first town fire service is set up in Madrid.

    1621 Under Felipe IV the arts flourish with names such as artist Diego de Velázquez and play wrights Lope de Vega, Calderón de la Barca and Tirso de Molina.

    1701 Felipe V of Bourbon enters Madrid; the first ruler of a united Spain, the 17-year-old from France speaks no Spanish.

    1738 The first stone is laid for the Palacio Real (Royal Palace). It is finished in 1764.

    1759 Carlos III ascends the throne. Nicknamed the 'best Lord Mayor of Madrid', he commissions grand buildings that are now home to the Museo del Prado and the Museo Nacional Centro de Arte Reina Sofía.

    1793 Diario de Madrid runs the first newspaper report of a bullfight.

    1808 Napoleon's forces occupy Madrid. Napoleon's brother, Joseph Bonaparte, is named King José I of Spain. The annual 2 May holiday (2 de mayo) commemorates the Madrid uprising against the French, which also inspires two famous paintings by Goya (now in the Prado).

    1814 Madrid is restored to Spanish rule under King Fernando VII.

    1819 The Museo del Prado opens to the public.

    1879 The PSOE (Spanish Socialist Party) is founded at the Casa Labra bar in Madrid.

    1900 The city has one million inhabitants.

    1919 The Metro is inaugurated by Alfonso XIII.

    1931 Republicans sweep the elections and King Alfonso XIII steps down.

    1936-9 The Spanish Civil War takes place. Republican Madrid is besieged by Franco's Nationalist army for three years.

    1946 United Nations sanctions against the Franco regime begin. Sanctions remain until 1955.

    1960 The city has 2.2 million inhabitants.

    1975 Franco dies and Juan Carlos I is Spain's first king since 1931. Modernisation of the city begins.

    1981 Spain's democracy is threatened by a military coup. Order is restored by Juan Carlos I.

    1986 Spain joins the EEC (EU).

    1992 Madrid is named as the European Capital of Culture.

    1998 Alcalá de Henares is declared a UNESCO World Heritage Site.

    2002 The Euro replaces the peseta as the national currency of Spain.

    2004 Madrid mourns after 191 people are killed and many more injured by train bombs on March 11.

  • Velazquez

    Diego Rodríguez de Silva y Velázquez (June 6, 1599 – August 6, 1660), commonly referred to as Diego Velázquez, was a Spanish painter who was the leading artist in the court of King Philip IV. He was an individualistic artist of the contemporary baroque period, important as a portrait artist. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family, other notable European figures, and commoners, culminating in the production of his masterpiece Las Meninas (1656).

    From the first quarter of the nineteenth century, Velázquez's artwork was a model for the realist and impressionist painters, in particular Édouard Manet. Since that time, more modern artists, including Spain's Pablo Picasso and Salvador Dalí, as well as the Anglo-Irish painter Francis Bacon, have paid tribute to Velázquez by recreating several of his most famous works.

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