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Spain’s greatest playwright (see Félix Lope de Vega) lived in this house between 1610 and 1635. Now an evocative museum, the rooms are furnished in the style of the period, based on an inventory made by the dramatist himself (see Casa-Museo de Lope de Vega).

The home of Valencian artist Joaquín Sorolla (1863–1923) is now a delightful museum displaying his work. Sorolla won international recognition after his paintings were exhibited in the Exposition Universelle in Paris (1901). His impressionistic canvases are brilliant evocations of Spanish life (see Museo Sorolla).

This astonishingly diverse collection – paintings, sculptures, tapestries, glassware, porcelain and more – were originally the property of the 17th Marquis of Cerralbo. The museum’s 30,000 artifacts are housed in his palace and the rooms offer a fascinating window onto the life of Spanish aristocracy at the beginning of the 20th century (see Museo Cerralbo).

While the fabled treasures shipped back to Spain by Cortés, Columbus and Pizarro were exhibited as early as 1519, most of the items disappeared or were melted down. These fascinating ethnological and ethnographical exhibits originate from Carlos III’s “cabinet of natural history”, founded in the 18th century, and now embrace the entire American continent (see Museo de América).

The world-famous gallery is housed in Juan de Villanueva’s Neo-Classical masterpiece – an artistic monument in its own right. The relief over the Velázquez Portal depicts Fernando VII as guardian of the arts and sciences – it was during his reign that the Prado opened as an art gallery. Its strongest collection, unsurprisingly, is its Spanish artworks, particularly those of Francisco de Goya (see Museo del Prado).

One of the many pluses of the Decorative Arts Museum is that it sets Spanish crafts in a European context. Highlights include the Gothic bedroom, Flemish tapestries and a collection of 19th-century fans (see Museo Nacional de Artes Decorativas).

The setting for this outstanding collection is the Palacio de Villa-hermosa, remodelled in the 1990s. Carmen Thyssen-Bornemisza, widow of the preceding baron, was responsible for the salmon-pink colour scheme inside. The museum covers international art from the 19th century onwards (see Museo Thyssen-Bornemisza).