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State-of-the-art technology has created a diorama that illustrates the tale of this walled city.

The only museum of art in Canada dedicated solely to contemporary art, this high-profile institution has an innovative program of exhibitions highlighting the work of artists from Canada and the international circuit.

The Inuit sculptures displayed here help illustrate the lifestyles and traditions of these native Canadian peoples.

Fortin (1888–1970) is regarded as one of the most influential landscape artists of the 20th century and his fluid portrayals of his native Québec Province, capturing its unique light, fill this tiny museum, which is housed in a former 19th-century stone warehouse. This is the largest permanent collection of his works in the world. Also on display are contemporary works by local artists.

In 1653 Marguerite Bourgeoys arrived in Ville-Marie to open a school, which began in a stable assigned to her by the Sieur de Maisonneuve. By 1655 she was head of the Congregation of the Sisters of Notre-Dame and oversaw the construction of Canada’s first stone church in 1675. The chapel that remains dates from 1771. It is known as the “Sailors Chapel,” given its portside location and model ships hanging throughout.

The true birthplace of Montréal represents a merging of the city’s past history and modern technology. Cutting-edge exhibitions and archeological artifacts allow visitors to experience six centuries of local life (see Musée Pointe-à-Callière).

This striking modern building, married with the more ancient Place Royale setting, vibrates with activity throughout the year, as visitors digest one cultural exhibition treat after another on display inside and outside this museum (see Musée Pointe-à-Callière).

Controversially erected in 1809 to celebrate victory over the French at the Battle of Trafalgar.

An entertainment complex owned by racing driver Jacques Villeneuve.