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Exotic, asymmetrical, Monet’s water garden is a place for calm contemplation of nature, amongst a gentle riot of plant life: rhododendrons, weeping willows, water lilies, and much more.

This famous, wisteria-draped bridge reflects Monet’s abiding interest in Japanese prints, many of them in the Pink House collection.

Monet’s French-style garden is a triumph of symmetry, colour and judicious planting, with flowers in bloom all season.

In this charming pink stucco house, Monet entertained Cézanne, Renoir, Matisse and other famous artists of his time, as well as his good friend Georges Clemenceau.

Monet’s precious woodblock prints are hung in several rooms, according to a plan drawn up by Monet himself.

Monet used to come to his simply furnished studio after dinner to relax, smoke, and examine his day’s work.

The room where Monet slept for 43 years, and eventually died, still has most of its original furniture, including a fine 18th-century inlaid desk. Endearingly, Monet kept works by the artists he most admired in his bedroom: among them Cézanne, Renoir, Manet, Pissarro and Rodin – a collection now scattered worldwide.

Imagine Monet, together with Alice Hoschedé, her children and visiting artists, seated around the large dining table in this perfectly restored room, painted in two shades of yellow, with faïence plates and Japanese prints on the walls, and vestiges of the dinner service in two dressers.

Little seems to have changed over the past century in this delightful room – an extension built by Monet, with blue-and-white-tiled walls, a handsome cast-iron range, butler’s sink, terracotta floor, and burnished copper pots and pans.

His sight affected by cataracts, Monet built this large, light studio between 1914 and 1916, to work on his water lily series. It now houses the shop of the Fondation Claude Monet.