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St-Germain, Latin and Luxembourg Quarters : Places of interest

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  • Boulevard St-Germain

    This famous Left Bank boulevard runs for more than 3 km (2 miles) anchored by the bridges of the Seine at either end. At its heart is the church of St-Germain-des-Prés, established in 542, although the present church dates from the 11th century. Beyond the famous cafés, Flore and Les Deux Magots (see Café de Flore, Les Deux Magots), the boulevard runs west past art galleries, bookshops and designer boutiques to the Pont de la Concorde. To the east, it cuts across the Latin Quarter through the pleasant street market in the place Maubert, to join the Pont de Sully which connects to the Ile St-Louis (see Ile de la Cité and Ile St-Louis).

  • The main drag of the Latin Quarter was created in the late 1860s as part of Baron Haussmann’s city-wide makeover (see The Second Empire), and named after a chapel that once stood near its northern end. It’s now lined with a lively mix of cafés, clothes shops and cheap restaurants. Branching off to the east are rues de la Harpe and de la Huchette, which date back to medieval times. The latter is an enclave of the city’s Greek community, with many souvlaki stands and Greek restaurants. In the place St-Michel is a huge bronze fountain that depicts St Michael killing a dragon.

  • This 25-ha (60-acre) park is a swathe of green paradise on the very urban Left Bank. The formal gardens are set around the Palais du Luxembourg, with broad terraces circling the central octagonal pool. A highlight of the garden is the beautiful Fontaine de Médicis (see Molière Fountain). Many of the garden’s statues were erected during the 19th century, among them the monument to the painter Eugène Delacroix and the statue of Ste Geneviève, patron saint of Paris. There is also a children’s playground, open-air café, a bandstand, tennis courts, a puppet theatre and even a bee-keeping school.

  • Paris’s world-famous university was founded in 1253 and was originally intended as a theology college for poor students but it soon became the country’s main centre for theological studies. It was named after Robert de Sorbon, confessor to Louis IX. Philosophers Thomas Aquinas (c.1226–74) and Roger Bacon (1214–92) taught here; Italian poet Dante (1265–1321), St Ignatius Loyola (1491–1556), the founder of the Jesuits, and church reformer John Calvin (1509–64) are among its impressive list of alumni. Its tradition for conservatism led to its closure during the Revolution (it was re-opened by Napoleon in 1806) and to the student riots of 1968 (see Top 10 Events in the French Revolution).

  • Dina Vierny, who modelled for the artist Aristide Maillol (1861–1944) from the ages of 15 to 25, went on to set up this foundation dedicated largely to his works. Set in an 18th-century mansion, it features his sculpture, paintings, drawings, engravings and terracotta works. A wonderful collection of works by other 20th-century artists, many of whom worked in Paris, including Picasso, Matisse, Dufy, Duchamp, Kandinsky and Poliakoff, is also on show.

  • This impressive mansion, one of the oldest in Paris, was built by the abbots of Cluny in 1330 and now houses a magnificent collection of medieval art, from Gallo-Roman antiquity to the 15th century. It adjoins the ruins of 2nd-century Roman baths (thermes ) with their huge vaulted frigidarium (cold bath). Nearby are the 21 carved stone heads of the kings of Judea from Notre-Dame, decapitated during the Revolution. The museum’s highlight is the exquisite Lady and the Unicorn tapestry series, representing the five senses.

  • From this riverbank, just before the Pont de l’rchevêché there are lovely views across to Notre-Dame. The main attraction of this and the adjacent Quai de Montebello, however, are the dark-green stalls of the bouquinistes (see Bouquinistes). The Pont de la Tournelle also offers splendid views up and down the Seine.

  • Begun in 1646, this enormous church unsurprisingly took 134 years to build. Its Classical façade by the Florentine architect Giovanni Servandoni features a two-tiered colonnade and two incongruously matched towers. Notice the two holy water fonts by the front door, made from huge shells given to François I by the Venetian Republic. Jacob Wrestling with the Angel and other splendid murals by Delacroix (1798–1863) are in the chapel to the right of the main door.

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