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Provence and Côte d'Azur : History & Culture

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  • Almost 4,000 years ago Ligurian tribespeople covered rocks in the Alpine valley with engravings – theories abound about their meaning. The site is superb but difficult to access (see Vallée des Merveilles and Musée des Merveilles).

  • A gem of the region, with an unbeatable location on a high crag and sweeping views. The old medieval centre is ringed by formidable battlement walls and is entered through a massive stone gateway, to a labyrinth of cobbled streets and tall stone houses. A small cathedral, dating from the 11th century, stands on place Clemenceau.

  • Hugo (1802–85) set the early chapters of his epic novel Les Misérables (1862) in Digne-les-Bains.

  • The city’s heart, filled with the aroma and sounds of all things Niçoise (see Vieux Nice).

  • Commercial sea traffic might have moved round the corner to newer docks in the 19th century, but the old port remains the heart of city life. Bobbing with pleasure boats and fringed with restaurants, it’s where the Marseillais gather for festivities and to buy fish at the market. The occupying Germans attempted to subdue the city by blowing up the port’s north side in 1943, but Marseille’s indomitable nature won the day.

  • The most palatial of all the villas built in the Riviera’s plutocratic heyday was the dream of Beatrice Ephrussi de Rothschild (1864–1934), a daughter of the wealthy banking family. Its lavish Neo-Classical façade conceals an opulent interior of arcades surrounded by a covered courtyard hung with magnificent tapestries. Superb antiques and sketches by Fragonard also feature, while the gardens are as sumptuous as the interior (see Jardin de la Villa Ephrussi de Rothschild, St-Jean-Cap-Ferrat).

  • Theodore Reinach (1860–1928) conceived this remarkable building, constructed between 1902 and 1908, as a perfect Classical Greek villa, in imitation of the palace of Delos in Greece, dating from the 2nd century BC. Copies of ancient mosaics and frescoes evoke the world of the Greek city states.

  • Only a brave or foolhardy enemy would have attempted to assail the citadel of Entrevaux, one of the most dramatic of all the region’s many fortresses. Perched on a pinnacle above the fairytale town, it can be reached only by a zig-zag path which passes through more than a dozen arched gateways. Lying beneath it, the impregnable Ville Forte is ringed by towers and ramparts and reached by a drawbridge.

  • The Dutch master (1854–90) created hundreds of his vivid, powerful landscapes and self-portraits during his few years in Arles and St-Rémy. The sunshine of Provence changed the way Van Gogh saw light and colour.

  • Born in Iceland, Klein (1928–62) became one of the leading lights of the Nice School of new realists, who aimed to create art from everyday materials. His Anthropométries , in Nice’s Musée d’Art Moderne et d’Art Contemporain (see Musée d’Art Moderne et d’Art Contemporain (MAMAC)), was created by three paint-covered nude women rolling over a huge white canvas.

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