Sant’Agostino
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Raphael frescoed the prophet Isaiah (1512) on the third pillar on the right, and Jacopo Sansovino provided the pregnant and venerated Madonna del Parto ; but Sant’Agostino’s pride and joy is Caravaggio’s Madonna del Loreto (1603–1606). The master’s strict realism balked at the tradition of depicting Mary riding atop her miraculous flying house (which landed in Loreto). The house is merely suggested by a travertine doorway and flaking stucco wall where Mary, supporting her overly large Christ child, is venerated by a pair of scandalously scruffy pilgrims.
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