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Rome : Michelangelo’s Pietà

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The Renaissance is known for naturalism, but Michelangelo warped this for artistic effect. Here, Mary is too young, her dead son, achingly thin and small, laid across her voluminous lap. Hearing the work being attributed to better known sculptors, the artist crept into the chapel of St Peter’s one night and carved his name in the band across the Virgin’s chest (see Pietà).

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