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Italian 20th-century Art Nouveau, seen mostly on façades and shop signs.
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Tuscan cousin of Impressionism (late 19th century).
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Late Renaissance, 16th-century offshoot based on the twisting poses and rich colour palette of Michelangelo.
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Based on Classical models and mythological themes (19th century).
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Tuscany’s greatest contribution to art history. In their elegant compositions, the 15th and 16th-century Florentine artists developed a more naturalistic style and techniques such as perspective.
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Baroque gone chaotic, effusive and overwrought (18th century).
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Piero della Francesca’s home town retained some of his greatest, most psychologically penetrating works, including Madonna della Misericordia (1445–62), San Giuliano (1458) and the eerie Resurrection (1463), called the “best picture of the world” by Aldous Huxley.
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A battlemented medieval town hall with the best Gothic painting in Siena, including Lorenzetti’s incomparable Allegory of Good and Bad Government .
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It may lack towering masterpieces, but this is Tuscany’s best survey of Sienese painting.
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One of Tuscany’s top Etruscan museums. Over 600 marble and alabaster funerary urns carved with myths or metaphors for the afterlife, a terracotta sarcophagus lid of an elderly couple, and small bronzes including the elongated boyish figure, Shade of the Evening .
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