Chiesa di San Moisè
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So overloaded was the 1668 façade of this church with ostentatious Baroque stone decorations that several statues were removed in 1878 to save it from collapse. It has been blasted by critics as “the height of architectural folly” and by John Ruskin (see Ruskin’s Venice, editor Arnold Whittick) as “one of the basest examples of the basest school of the Renaissance”. Devoid of religious symbols, it is given over wholly to the glorification of the aristocratic Fini family, who laid out 30,000 ducats for the job.
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