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A well-hidden haven of chirping birds in towering shady trees, signposted from Campo San Geremia and Fondamenta Savorgnan. Part of the park once belonged to Palazzo Savorgnan, now a school, which backs on to it, and boasted statues, citrus trees and Roman stonework.

This quiet thoroughfare, around the corner from Ponte delle Tette, is usually referred to as the “Carampane” (Ca’ Rampani), alias the red-light district as of 1421. Venice had some 11,600 officially registered courtesans in the 1500s. A particularly narrow alley, Calle della Raffineria, site of a 1713 sugar refinery, runs off it.

A picturesque courtyard opening onto the Grand Canal, it was named after the duke of Milan who took over a partially constructed palace here in 1461. However, work did not go much further than the diamond-point ashlar on the façade. The artist Titian used it as a studio when working on the Doge’s Palace.

A lengthy atmospheric walk-way in a somewhat neglected zone of Castello, fronting the lagoon. The path clings to the wall of the ancient Arsenale shipyards (see Arsenale), and leads to a cluster of workers’ dwellings.

This quiet courtyard took its name from the anatomy theatre which existed here as of 1368. In 1671, a College of Anatomy was also established over the bridge in Campo San Giacomo dell’Orio, now an isolated building with a pretty vine-covered trellis.

This delightful square faces the Grand Canal and took its name from the local oarmakers. It boasts several Byzantine features, notably the wellhead of Verona stone and pointed ogee arches from a 13th-century palace.

Venice’s only authentic Romanesque cloister has a courtyard with twin-columned arcades, now part of a church museum.

Now a tranquil residential square, in the 13th century it saw plenty of action when the sisters of a Cistercian convent gained a riotous reputation. Under Napoleon an archive of city affairs took over the building.

Though slightly lop-sided, a delicately sculptured 15th-century arch representing the Virgin and her devotees never fails to delight. The attractive alley is lined with medieval-style timber overhangs.

Unchanged since medieval times, this lovely raised square often doubles as a film set. Its modest houses are topped with chimneys in varying styles.